Double Bass
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John Patitucci, one of the most influential jazz bassists of all time, is celebrated for his virtuosity and his groundbreaking work with Chick Corea and Wayne Shorter. But beyond the dazzling technique lies a fascinating story full of little-known details that reveal the true essence of this artist. His musical journey began almost by accident: as a
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When we think of the double bass, the most common image is a musician in a classical orchestra or a jazz trio, elegantly keeping the pulse. But this instrument has a chameleon-like quality: it can adapt and shine in contexts where, in theory, it “shouldn’t” be. And that’s exactly what makes it so fascinating. In
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Giovanni Bottesini (1821–1889) is a name most double bassists speak with a mix of awe and exasperation. But while most biographies repeat the same points (Venetian conservatory prodigy, opera conductor, globe-trotting soloist), Bottesini’s life holds stranger and lesser-known corners worth exploring. 1. He Almost Didn’t Play the Bass Bottesini only auditioned on the double bass
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When most people think about Beethoven, they imagine soaring melodies, stormy chords, and that famous four-note motif from the Fifth Symphony. But for double bassists, there’s another side to his genius—his bass lines. And they’re not just a foundation; they’re a workout. 1. More Than Just the Root Beethoven didn’t settle for having the bass
Diego Robledo 